Christine:
My news from home read at your table, mixing your
strange enchantment with the old familiar, makes all
familiar at once, and friendliness dwell with comfort in
your magic.
So magic dwells in everything I know.
And how shall I walk the world unstirred anymore, any
place -- since because of you everything is wonder?
f
The Poetry of Frank Merchant
The poetry of Dr. Frank E. Merchant, 1910 - 1991, written over the course of his lifetime (see biography).
Saturday, February 19, 2011
Night of an Invasion (July 10, 1943)
On the sky that goes down into the Mediterranean
cold stars set themselves against the blood - - and wine-warm ocean
just as in Arab villages dogs bark
against the quiet, deserved by ages
of lovers clattering stones, fatigued by incontinence,
of fighting raiders drawing one full and panic breath,
of ghosts thought they were left to their own devices.
It's cold in warm counties now; the stars that flick an unexpected
waker's eye
are caught in unfriendly glory. At this hour a glorious ancient
poet, drunken, would turn
savage
and Alcibiades reeling home from wisdom's banquet would behead images.
The sea, around small boats full of contraband,
invisibly lies closer to gunwales and to men's mouths
before there may be speech: warning, or cry of attack at the shore
guardians.
The sky, with its shape-charted stars (gods, animals)
is like the ancient sea -- it may overlie us, we may never get above
its surface;
but the eternal, waiting water is still itself:
our heads knowing legend either way
may not know it up or down.
may 25, 1948
cold stars set themselves against the blood - - and wine-warm ocean
just as in Arab villages dogs bark
against the quiet, deserved by ages
of lovers clattering stones, fatigued by incontinence,
of fighting raiders drawing one full and panic breath,
of ghosts thought they were left to their own devices.
It's cold in warm counties now; the stars that flick an unexpected
waker's eye
are caught in unfriendly glory. At this hour a glorious ancient
poet, drunken, would turn
savage
and Alcibiades reeling home from wisdom's banquet would behead images.
The sea, around small boats full of contraband,
invisibly lies closer to gunwales and to men's mouths
before there may be speech: warning, or cry of attack at the shore
guardians.
The sky, with its shape-charted stars (gods, animals)
is like the ancient sea -- it may overlie us, we may never get above
its surface;
but the eternal, waiting water is still itself:
our heads knowing legend either way
may not know it up or down.
may 25, 1948
Letter to Royker
Karl, by the hour
my certainties pass over me
as if they were finding their road by, on my clock's round.
If one has risen and gone on
I'd have to turn my head backward to see where it has set
and vanished large as it had risen.
My axioms of faith, of any other's treachery
have been too many sons, and shot my days with rockets
which were the barrage gone by and waste incurred in battles.
I glory most in my blindness
when I think a premonition is directly above my
not knowing or caring to imagine it has passed over my head.
I find a sure creation has moved like a planet
my eye has detected by its movements: if it is truly not phantasma-light
will
any fact orbit from our space.
aug, '49
my certainties pass over me
as if they were finding their road by, on my clock's round.
If one has risen and gone on
I'd have to turn my head backward to see where it has set
and vanished large as it had risen.
My axioms of faith, of any other's treachery
have been too many sons, and shot my days with rockets
which were the barrage gone by and waste incurred in battles.
I glory most in my blindness
when I think a premonition is directly above my
not knowing or caring to imagine it has passed over my head.
I find a sure creation has moved like a planet
my eye has detected by its movements: if it is truly not phantasma-light
will
any fact orbit from our space.
aug, '49
Monterosso Alma
As a machine-gunner's body burned where he had rolled, smoked, stopped just where
we entered the town,
everybody was spreading a decoration on the balconies ---
the luckiest by accident a faded American flag with fewer stars; the most calculating
and full of jest an ill-crossed Union Jack;
the handsomest and most sincere a heavy table cloth, all of cream.
And even the sullen recruits in the artillery training barracks sat down in quiet
and relief, well guarded
to listen to virulent Fascist warriors being grenaded out of their caves by our men;
and an old witch who turned pander
this day showed us welcome, German, ice-cold beer;
and in civilian clothes it was a day for Italians to stand in windows to cheer
and just for minutes to urge us to stop.
One precaution paisan, the frensied enthusiast, gave our platoon his wine bottles
and whirled his accordian music through the air while wine-fumes curled in our
stomachs
like patterns -- and there were thrown roses arching through the air, too, on our
rear guard.
Harmless bullets exploded on the Broda's pan, by the gunner burning at the edge of
the town:
we lived through a symbol,
we marched decoratively and our being was a legend;
I can never rejoice while carnival men are working and hamburger stands are smoking
and not live more that day.
june. '49
(memory of July, 1943)
Monday, February 14, 2011
The Fifth Commandment
I have no predisposition for murder.
The Sicilian yelling down in the hole -
cell of the two-story jail where I'd turned him
in for a knowledge of German; handkerchiefs tolen
from the bald-headed policeman snoring after wine I'd insisted
he open, and hare
were bloodless, on two days of battle.
I was disgusted by the dirties of whores
lust ever lagged after. Go to the bad booze
and the old lady selling the fanciest labels
around what must have been bilge illuminated by sunlight;
two stragglers drunk but dragged on the Italian patrol
where nobody shot, we walked into the emptiest world
tottering beneath headaches like what we bear from those memories.
Who recalls the slick, proud, contemptuous girls beside rich civilians
in Naples
and the insolent, blonde, British-speaking old countess by Palermo
and the insane Indian I guarded; and the stolen duckeggs were smashed
in my fatigues?
Who' found the hunting knife or the old pillbox revolver
I borrowed to go armed into an occupied town? Whoever found the lock
of his door shot and his
door not opened?
I am safe; the lights have gone up and down but I was not executed
and can leep dull as before and after was, and I have nightmares
more terrifying than real, as bad as yours.
The Sicilian yelling down in the hole -
cell of the two-story jail where I'd turned him
in for a knowledge of German; handkerchiefs tolen
from the bald-headed policeman snoring after wine I'd insisted
he open, and hare
were bloodless, on two days of battle.
I was disgusted by the dirties of whores
lust ever lagged after. Go to the bad booze
and the old lady selling the fanciest labels
around what must have been bilge illuminated by sunlight;
two stragglers drunk but dragged on the Italian patrol
where nobody shot, we walked into the emptiest world
tottering beneath headaches like what we bear from those memories.
Who recalls the slick, proud, contemptuous girls beside rich civilians
in Naples
and the insolent, blonde, British-speaking old countess by Palermo
and the insane Indian I guarded; and the stolen duckeggs were smashed
in my fatigues?
Who' found the hunting knife or the old pillbox revolver
I borrowed to go armed into an occupied town? Whoever found the lock
of his door shot and his
door not opened?
I am safe; the lights have gone up and down but I was not executed
and can leep dull as before and after was, and I have nightmares
more terrifying than real, as bad as yours.
To A Tape Recorder (editor: a voice recording device)
That damned load
in this case, under porches and eaves
of my skull
listens better. Sense or not--
fluent words matter in action a well as thoughts;
but the breath scratched on a tape
stammers.
I make a minute none may revise
only erase. A life halts and stops
to stumble in its own prints: a blue record-
button jams, pushing up the silver "rewind"
and equal "play" jags and creaks, forces to the force of action;
I can make my machine go on without being broken.
Silent, waving ghost
in the [cassette]
is smoke of what could have been written.
I do badly
what may not be contrived
in the pulling back, the twiting around
and find a failure unbroken.
No inging here: the Japanese maker will not allow
much glide, roll-ball of sound. Here's the lost gamble, uncontrolled and
thrown breath
of a passion.
You can go
over and over
what I have said
and sound can be substituted for sound, prose
for verse
as if instructed engineering.
in this case, under porches and eaves
of my skull
listens better. Sense or not--
fluent words matter in action a well as thoughts;
but the breath scratched on a tape
stammers.
I make a minute none may revise
only erase. A life halts and stops
to stumble in its own prints: a blue record-
button jams, pushing up the silver "rewind"
and equal "play" jags and creaks, forces to the force of action;
I can make my machine go on without being broken.
Silent, waving ghost
in the [cassette]
is smoke of what could have been written.
I do badly
what may not be contrived
in the pulling back, the twiting around
and find a failure unbroken.
No inging here: the Japanese maker will not allow
much glide, roll-ball of sound. Here's the lost gamble, uncontrolled and
thrown breath
of a passion.
You can go
over and over
what I have said
and sound can be substituted for sound, prose
for verse
as if instructed engineering.
Thursday, September 9, 2010
Sober Words for These Days
There are many selves
to choke an instant
even when sober words
tell a lie in lasting form.
I give you the longing to use a bayonet, rise out of winnowing lanes of
air-rush sent by 88's
on a meadow where many were missed, not dead
but waiting to speak from their fright.
I joke of a bugler lying in a manger, old child who had just contracted
the syph
and who pouted for us his odd assumption
of delight in debauchery. I tell you we'd have killed kine who came to
worship
before we slaughtered men, for we were hungry. Sicily smelled of ordure
that is fertile
and there were unexpected, pure mountain streams. But a sniper never got
you, Gilligan:
I hope you were cured from your living chancre, wafer-shaped.
Awake in the corners of railroad lines angled to buildings
and g ing from odd room to room in old buildings
but made like a dream set: some day is like waking, walking one's own
house strangely
as if there were no waking from a drunk and the lightening hour was
midnight and the solid house
adobe
that crumbled in my thought. My child's life is most real
in the pain of his funeral. Cover over all the sense of his weight, sense
of his touch, any useless word of
comfort
not to be heard.
Well I think of something else when I am supposed to be happy? What
praise can I trust
more than words, passed with his life, of an old friend?
Imagined spaces
of the dead, in one's life
leave one moving
through a whole, but arid freedom.
to choke an instant
even when sober words
tell a lie in lasting form.
I give you the longing to use a bayonet, rise out of winnowing lanes of
air-rush sent by 88's
on a meadow where many were missed, not dead
but waiting to speak from their fright.
I joke of a bugler lying in a manger, old child who had just contracted
the syph
and who pouted for us his odd assumption
of delight in debauchery. I tell you we'd have killed kine who came to
worship
before we slaughtered men, for we were hungry. Sicily smelled of ordure
that is fertile
and there were unexpected, pure mountain streams. But a sniper never got
you, Gilligan:
I hope you were cured from your living chancre, wafer-shaped.
Awake in the corners of railroad lines angled to buildings
and g ing from odd room to room in old buildings
but made like a dream set: some day is like waking, walking one's own
house strangely
as if there were no waking from a drunk and the lightening hour was
midnight and the solid house
adobe
that crumbled in my thought. My child's life is most real
in the pain of his funeral. Cover over all the sense of his weight, sense
of his touch, any useless word of
comfort
not to be heard.
Well I think of something else when I am supposed to be happy? What
praise can I trust
more than words, passed with his life, of an old friend?
Imagined spaces
of the dead, in one's life
leave one moving
through a whole, but arid freedom.
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